My Heart!

Recently, I had an echo cardiogram test on my heart. I found the whole process fascinating. How incredible to be able to see inside the organ that keeps you alive!
It was truly beautiful and when I came home I knew I had to paint the experience. 
This painting stands alone. It is not part of a series and I will keep it for myself but thought I would share it with you.
 

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'My Heart' 
18" x 36"
Acrylic on canvas 2015


The colors are the colors that show up on the sonar...red, blue and yellow. The primaries.
I had a giggle as metaphorically that made sense to me.
I also think of red as symbolic for the masculine/active principle in life, and blue for the feminine/ receptive.
Yellow symbolizes energy and life to me so, I found these colors very apt. 
There was a nice balance between the red and the blue with highlighted accents of yellow.
(The red and blue pulsed with blood flow and yellow sparked up with electrical activity.)
It feels to be a well balanced heart.
My results were good and my heart is happy!
I hope you like it!

'New Beginnings' Exhibition. Manhattan Arts International

I am thrilled to have 'Spring in Fog III' from the Triptych, 'Spring in Fog' - 'Fog Series'  2015 included in the Manhattan Arts International Exhibition titled 'New Beginnings'

The theme fitted my series very well as it was a new series, in a new place of residence, in a new state and a new country!
(Well, I guess after 5 years in the States, I can't really call it a new country anymore, but California is vastly different from Texas, so it still feels very new!)

Here is the link to the page on the Exhibition.
http://www.manhattanarts.com/new-beginnings-exhibition/

Winter of 2014: New Beginnings. We had just moved to the Bay Area, thus my first experience of fog. I went within, painting only for myself and the release it provided. I regained an innocence. Using muted color in veils, scraping, layering, revealing and concealing, much the way fog does.  

Spring Fog I, oil and pastel on canvas, 32" x 40"

Spring Fog II, oil and pastel on canvas, 32" x 40"

Spring Fog III, oil and pastel on canvas, 32" x 40"

Thanks to Renee Phillips from Manhattan Arts International for the great opportunity to show with a fine calibre of artists!


Edges and how they fit in to the picture...so to speak!

I've come to appreciate the edge of the canvas, in terms of it’s size and its effect on a viewer’s relationship with the painting.
I thought it might be interesting to share some of those thoughts with you. 

3/4 " edges serve  8" x10",  16"x 20",multiples and small works by creating a physical balance; not emphasizing but integrating them. 
Often sold as multiples, these smaller works can be simply framed and hung together in a form or a cluster as easily as they hang individually..
They can also be incorporated into a single frame as multiples, that read as one framed work.

I think edges can be very elegant and act as a visual unwind of the layers in the painting .
They also create a 3 dimensional aspect to a painting, where a frame tends to emphasize the flat picture plane.

I do like a large work to have a deeper frame,  fulfilling its proportion in a 3D balance of the painting. 

1/ 3/8” edging has more of a presence to incorporate into the painting. It flows naturally in my larger 36" x 48" works,

but when used with a 6" x 6" canvas, it can make the painting feel more like an object.

I don't much like frames unless simple and not distracting, although, a simple boarder in a small paper work can work well.

(matt black floater frame)

(matt black floater frame)

Homage to Helen

I have been learning a little about Helen Frankenthaler and her work recently and as part of the understanding of her staining process, have had a play in the studio with the process.
I love learning about other artists and their process although I rarely imitate others work as my own process is intuitive and that is what I love most about painting. The idea of preplanning spoils it for me.
It is fun to play around with ideas and techniques though and so I had an explore with Helen's staining process, although I used a gesso primed canvas instead of raw which contained the bleed somewhat. 
It is so freeing to 'throw down' paint and see where it leads you. I thought I would share the result! Hope you like it.
(This is a quick Iphone snap, but I will photograph it properly for the Gallery section.)
 

'Homage to Helen'Oil and Glaze on Canvas18" x 36"2015

'Homage to Helen'
Oil and Glaze on Canvas
18" x 36"
2015

It's all peachy....

July is over, which brings an audible "sigh" from me.

It was a big 'push and pull' you month. Lots of unexpected events that took time and time itself seemed to operate on and off, warping at light speed and then feelingl fluid and dense..

My paintings have reflected it back to me. I've moved between thick and sculptural to fine and delicate layering all month., some happening quickly others very slowly.
Various series have popped up for a new work to be made, which resulted in nearly one painting in every series being created at the same time. Insanity!

That is how it goes sometimes.

I paint daily and family life is not 'disrupted' per se by my nightly hours. My husband has similar requirements for his creative work. we enjoy that of each other, but painting for long periods in succession isn't a regular possibility right now. There are too many other things that I do in the daylight hours, to support the evening's creative output, to be done. So it is exciting and unusual.

I'm fortunate this time has been coinciding with the renewal of an exploration in the Ab/Ex field - 'NYSchool painters' in our MoMA Alumni Group. It's inspiring and motivating to share such beauty and discuss techniques. I love exchange, good exchange and I love great art!

I worked hard in the studio and in my personal sphere. Frankly, I have been looking forward to painting without other commitments for some time!
So, here's to experimenting over the next few days before I get ready to have photographs taken of 2015's work update.  I'll post those mid August. Thanks Terry Schmidbauer!

Passion shared.

I have been extra busy with painting and other art related activities lately.I had the joy of attending the San Francisco ArtMarket event this past weekend and meeting up with two fellow Alumni from MoMA courses we studied together online. It is the first time we have met in person!

Meeting up with fellow artists Starr Davis and Lisa Omerod- at the SFO ArtMarket 2015
Meeting up with fellow artists Starr Davis and Lisa Omerod- at the SFO ArtMarket 2015

So much fun and hopefully the first of more outings together. It is wonderful to share a passion with friends. You speak the same language and understand the joys and the frustrations shared, providing new vantage points to look at something and discussing idea's on how to express the meaning behind a work, it is inspiring! So was the diversity of work on display at the show. There was definitely something for everyone!

This month, I've been sorting out work for a catalogue to launch new series along with my updated site. Of course, it has taken longer than i thought but I am doing a little bit every day. It is a lengthy process and I can't wait to finish and get it printed and distributed.

It's enlightening to see the work laid out in series and the story of each make sense in relation to the one that came before it. Works have a natural progression born from instinct, but with clear threads to each other that are made more visible with hindsight. Paintings have leapt to new stages quickly in the studio and I have run with it, preparing  more canvas and letting it flow. Old techniques mingling in new ways telling me the discovery isn't over yet, there is always more to learn and I can feel my audience widen along with more experimentation inside of my work. I have professional photographs and details  of '2014-15 new works' to share very soon, which is meanwhile growing with each painting that is eager to emerge. So, much to do but it feels like play time! Back to the studio for now....

Today is ANZAC Day in Australia...'Lest we Forget I' and 'Lest we Forget II' from my ANZAC Series.

April 25th is a National Holiday in Australia, ANZAC Day.We have a dawn service and a march through the cities, with a minutes silence in memory of the Anzac soldiers and their bravery in Gallipoli during WWI. In 2001 I painted my first painting in this series only to revisit again in 2013. The first painting was created in my lounge room while watching the Anzac Parade on TV. I felt a deep connection to the stories being shared and they translated on to the canvas I was working on at the time. I didn't set out to paint a commemorative painting, it just happened. My palette consisted of colors that represent the beach, the blood shed and the bravery in Khaki's, also the light. As with a lot of my work, crosses found their way in to the picture plane. In this painting they are more deliberate. Over the years they have become more gestural and guided by the hand. Thank you to all the soldiers who risked or gave their lives for our freedom. You are not forgotten.

'Lest we Forget I' 24" x36" Oil on Canvas 2001 (Not for Sale)

'Lest we Forget I' 24" x36" Oil on Canvas 2001 (Not for Sale)

In 2013 I revisited with 'Lest we Forget II' I hope at some stage to continue this series.

'Lest we Forget II' 36" x 48" Oil on Canvas 2013
'Lest we Forget II' 36" x 48" Oil on Canvas 2013

'Dancing Girl'

I love the moment of recognition that something is just meant to be.I had a moment like this recently when a client contacted me in regard to buying a painting for a mutual friend for her birthday. This particular painting was made as a diptych (two paintings that read together as a pair) and I had it hanging in my home for years. I didn't want to sell it as I had planned to do a series of work based on this diptych and frankly it is much easier to have the work in front of you to recreate the same feeling. A photo of the work has never given me the energy connect in the same way.

'Dancing Girl'

'Dancing Girl'

A couple of years ago a friend had asked to purchase it and I declined. It felt awful to say no, especially as she really did seem to have a special connect with the work but I also knew from past experience I shouldn't sell what I wasn't ready to let go yet. Recently, our mutual friend contacted me and asked if it was for sale. It wasn't until I heard who it was for. I couldn't deny that this painting must be destined to belong to this person. So, I agreed and sent it interstate to it's new home. I love the fact that 'Dancing Girl' has her new home and will be treasured by her new family. I also love the fact that a mutual friend got to buy this as a gift for her long time friend. It is such a special gift to give....artwork that connects someone to a deeper part of themselves....from one friend to another. I feel blessed to be part of this transaction and although I haven't managed to create the series I have wanted to yet, I am sure when the time is right, I will. This chain of giving was too good to miss out on. The good feeling of this coming together nourishes all! Cheers to all the Dancing girls!

'Secret's of The Fog' triptych has landed in it's forever home!

'Secrets of The Fog' triptych Oil and pastel on canvas 16" x 40" (x3) 2015
'Secrets of The Fog' triptych Oil and pastel on canvas 16" x 40" (x3) 2015
'Secrets of The Fog' triptych Oil and pastel on canvas 16" x 40" (X3)
'Secrets of The Fog' triptych Oil and pastel on canvas 16" x 40" (X3)
'Secrets of The Fog' triptych Oil and pastel on canvas 16" x 40" (x3)
'Secrets of The Fog' triptych Oil and pastel on canvas 16" x 40" (x3)

I am pleased to announce 'Secrets of The Fog' triptych has arrived safely to it's new home in Dallas, Texas! I was holding my breath waiting for confirmation, as Dallas has been in another Ice Storm and I hoped delivery would be successful and safe for all. There is nothing as rewarding as a client who sends a message of 'loving the paintings even more in person' than online. In honesty, it is a relief but also a moment of deep sharing of yourself with another.

When someone resonates with a work you have made, it is very personal. It is a big part of who you are as an artist to create and there is naturally a bond with your work but when someone else has a connection to it also and you can see how it effects them, it validates the energy that is actually housed inside the work, the energy you send out in the world as an artist. So wonderful when someone is deeply touched and appreciates the feeling it awakens in them. I am not adverse to people buying art to match their furnishings, I know some artists hate that but I have no judgement on why someone buys a work and to be honest I feel it belongs with them for the same reason as someone who buys a work because it speaks directly to their core but maybe they are just less conscious of the deeper connect.

I am sure the paintings do their job (energetically) regardless but when someone really 'gets it' and feels their heart flutter , it is amazing, a real high- only matched by the feeling in the studio when after weeks or sometimes even months, a painting finally comes together and all the layers make sense and you know it is complete! I have enjoyed every minute of making this triptych and also the process of getting to know my new client. I am grateful too for her patience while I had them included in the photo shoot, delaying the posting a couple of weeks. Imagine my surprise to find out I was sending the paintings to an address in the very street I lived in last year and yet had not met this lovely person. We lived only doors away from one another!

I am so pleased we have now 'met' and look forward to our new friendship growing and I'm thrilled this work is now living in a home where she will be cherished!

Spring is on it's way...

It's been very warm of late (72F/22C) and the energy has changed.There is a lightness coming back in, but it is delicate and not full strength yet. I've noticed people are a little more relaxed lately too. It helps not having to run errands in the rain.

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This mood is reflecting in my paintings at present. I have two 36" x 48" canvases on the go and they are very light in nature and in color. The palette is pastel and White's and although there is still the element of calligraphy with the pastel mark makings from the 'Fog Series', they are smaller and fuller. They almost make me feel like plants in Spring time, as they pop through the ground and you just catch a glimpse of their furled up selves. These little markings may be small but packed with energy. They feel like they are ready to blossom and bloom. Maybe I will title them so. Below, are two small photo's of detail from the larger works. IMG_4790

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I look forward to sharing the photographs of the final paintings with you soon. Meanwhile, enjoy the warmer weather and fecund energy.

The Sun is out again...

The Fog lingers, but the Sun is present and warms quickly, the morning.CA Winter!

'Warming morning,         after Fog'

I have been busy in the studio on a daily basis immersed in shades of White. I'm still producing further works within the 'Fog Series'. I am working on a couple of 36" x 48" A couple of new techniques are being incorporated into these paintings. They have elements of the 'Fog series' but are branching out.

'Fog Series' Different stages drying together.

All series are like a 'stretching' to the next.

That's where I see the thread best in my work. When the techniques or palettes change a little and a new direction is born. It is fun to watch.

I am still using a palette knife but also playing with rags right now. Rubbing paint and dabbing, along side troweling with the knife, even finger painting!

'An unintentional theme'

There's a lot of freedom in the act of changing your tools now and again to push you into another way to express.

Naturally, as you use the tool differently, you are automatically 'open' to trying a new way of working. Over time, I have learnt how to trowel a transparent marking over an area as easily as spread a thick one. You do get to know your tools so, by changing it up sometimes, you give yourself a little extra creative license and a little learning room because as nearly all artists will tell you ; "It's often the 'mistakes' that turn out the best!"

 

The rains....

It's raining! The sound on the roof of the studio is very conducive to creativity. There is movement in the air and the rain is washing away the dust of drought. The color outdoors is so vibrant and renewing. I feel inspired...

'It's Raining!
'It's Raining!